Programming Cultures: Architecture, Art and Science in the by Mike Silver

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By Mike Silver

Programming Cultures explores the connection among software program engineering and a few of the disciplines that take advantage of new codes and programming instruments. The identify specializes in various practices together with: aviation layout, city infrastructure simulation, Hollywood lighting tricks, nanotechnology, arithmetic and structure. by way of construction layout, Programming Cultures in particular examine's the possibility of new software program designed to unravel particular visualization and information processing difficulties from in the occupation. The publication permits architects to turn into extra conversant in programming instead of basing their paintings on appropriated structures designed for non-architectural functions (Maya, 3D Studio MAX etc.) and should develop into a primer for an rising tradition of scholars; teachers and younger pros which are commencing to outgrow the predetermined constitution of today’s most well-liked modeling and animation programs.

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Additional resources for Programming Cultures: Architecture, Art and Science in the Age of Software Development (Architectural Design July August 2006, Vol. 76 No. 4)

Example text

My work in the past year has synthesised ideas explored in Software {Structures} with my previous explorations of emergence. Each new work is called a ‘process’ and defines rules and instructions that describe a relation between ‘elements’ outside of a specific physical medium. Different manifestations of the process in diverse media such as software, print and installation give a more complete view of the concept. The software implementation is closest to the actual concept, but the other media provide additional perspectives.

Monadology is one of the earliest attempts in sketching out a system of principles that generalises the nature of the world from an abstract point of view; it shares conceptual properties that are now deemed to be fundamental to the science and philosophy of computation. Even though Leibniz was impeded by the lack of conceptual and technical resources at the time,12 his ideas nonetheless paved the way for the subsequent development of computation and, according to Gregory Chaitin, Algorithmic Information Theory13 in the 20th century.

By bringing into the foreground the hidden reservoir of life in all its potential manifestations through the manipulation of the genetic code, the unmasking or the transgression of what could be considered the first principle of prohibition – the taking into possession of what was once presumed to be the power of God to create life – may lead to conditions that are so precarious and treacherous as to even threaten the future viability of the species Homo sapiens on Earth. At the same time, depending on how humankind navigates into the universe of possible worlds that are about to be siphoned through computation, it could once again bring forth a poetic re-enchantment of the world, one that resonates with all the attributes of a premodern era derived, in this instance, from the intersection of the seemingly irreconcilable domains of logos and mythos.

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